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Roman portraits in context [[electronic resource] /] / Jane Fejfer
| Roman portraits in context [[electronic resource] /] / Jane Fejfer |
| Autore | Fejfer Jane |
| Pubbl/distr/stampa | Berlin ; ; New York, : Walter de Gruyter, c2008 |
| Descrizione fisica | 1 online resource (604 p.) |
| Disciplina | 733/.5 |
| Collana | Image & context |
| Soggetto topico |
Art and society - Rome
Portrait sculpture - Italy - Rome Portrait sculpture, Roman - Italy - Rome |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-07322-2
9786612073229 3-11-173702-0 3-11-020999-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Introduction -- Part One: Public Honours and Private Expectations -- The so-called Roman Private Portrait -- Corporates Spaces, Houses, Villas and Tombs -- Part Two: Modes of Representation -- The Material of Roman Portraits -- Statuary Body Types of Roman Men: All About Status? -- Abbreviated Formats -- Selves and Others: Ways of Expressing Identity in the Roman Male Portrait -- Part Three: The Empress and her Fellow Elite Women -- Roman Women in Public -- Part Four: The Emperor -- Representing the Roman Emperor -- Epilogue -- Power, Honour, and Memory -- Backmatter |
| Record Nr. | UNINA-9910453993603321 |
Fejfer Jane
|
||
| Berlin ; ; New York, : Walter de Gruyter, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Roman portraits in context [[electronic resource] /] / Jane Fejfer
| Roman portraits in context [[electronic resource] /] / Jane Fejfer |
| Autore | Fejfer Jane |
| Pubbl/distr/stampa | Berlin ; ; New York, : Walter de Gruyter, c2008 |
| Descrizione fisica | 1 online resource (604 p.) |
| Disciplina | 733/.5 |
| Collana | Image & context |
| Soggetto topico |
Art and society - Rome
Portrait sculpture - Italy - Rome Portrait sculpture, Roman - Italy - Rome |
| Soggetto non controllato |
Roman Empire
sculptures |
| ISBN |
1-282-07322-2
9786612073229 3-11-173702-0 3-11-020999-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Public Honours and Private Expectations -- The so-called Roman Private Portrait -- What is a private Roman portrait? -- The honorific statue -- The origin of the honorific statue habit in the West -- The honorific inscription -- Honorific statues and social status: Who was represented? . . -- Dedicators: who set up the portraits? -- How to earn a portrait statue: personal expectations, public affirmation and audience responses -- Location: Where were the portraits set up? -- Ancestors for eternity -- Corporate Spaces, Houses, Villas and Tombs -- Corporate buildings -- Houses and villas -- Tomb -- Part Two: Modes of Representation -- The Material of Roman Portraits -- Painting -- Bronze and white marble -- Travertine, limestone and other local stones -- Gold, gilding, silver and ivory -- Coloured stones -- Miniatures -- Wax -- Other -- Statuary Body Types of Roman Men: All About Status? -- The full-figure statuary body types of Roman men. All about status? -- The toga -- Nudity -- The cuirass -- Abbreviated Formats -- The herm shaft -- The clipeus, or tondo -- The half-figure bust -- The freestanding bust -- Selves and Others: Ways of Expressing Identity in the Roman Male Portrait -- Greek or Roman? The origin of Roman Republican portrait styles -- The 8216;period-face and its impact -- The limitations and the possibilities of the period-face: variation in portrait styles -- The portraits of actors from the Sanctuary of Diana Nemorensis: a case study in diversity -- Part Three: The Empress and her Fellow Elite Women -- Roman Women in Public -- Dressing up a Roman Woman: statuary body types -- Head and hair -- Part Four: The Emperor -- Representing the Roman Emperor -- The Emperor in Rome: setting the scene -- The Emperor in Rome: close encounter -- Where were the free-standing statues of the emperor set up in Rome? -- Who set up the statues of the emperor in Rome? -- Statues for eternity? -- Statuary formats and statuary body types -- Defining the emperors head -- Commissioning of prototypes -- Market, replication and dissemination -- The emperor en route -- Epilogue Power, Honour, and Memory -- Appendix Addendum: Statuary Formats and Statuary Habits in Literary Sources -- The different habits of Saturninus statues |
| Record Nr. | UNINA-9910782969803321 |
|
Fejfer Jane
|
||
| Berlin ; ; New York, : Walter de Gruyter, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Roman portraits in context [[electronic resource] /] / Jane Fejfer
| Roman portraits in context [[electronic resource] /] / Jane Fejfer |
| Autore | Fejfer Jane |
| Pubbl/distr/stampa | Berlin ; ; New York, : Walter de Gruyter, c2008 |
| Descrizione fisica | 1 online resource (604 p.) |
| Disciplina | 733/.5 |
| Collana | Image & context |
| Soggetto topico |
Art and society - Rome
Portrait sculpture - Italy - Rome Portrait sculpture, Roman - Italy - Rome |
| Soggetto non controllato |
Roman Empire
sculptures |
| ISBN |
1-282-07322-2
9786612073229 3-11-173702-0 3-11-020999-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Public Honours and Private Expectations -- The so-called Roman Private Portrait -- What is a private Roman portrait? -- The honorific statue -- The origin of the honorific statue habit in the West -- The honorific inscription -- Honorific statues and social status: Who was represented? . . -- Dedicators: who set up the portraits? -- How to earn a portrait statue: personal expectations, public affirmation and audience responses -- Location: Where were the portraits set up? -- Ancestors for eternity -- Corporate Spaces, Houses, Villas and Tombs -- Corporate buildings -- Houses and villas -- Tomb -- Part Two: Modes of Representation -- The Material of Roman Portraits -- Painting -- Bronze and white marble -- Travertine, limestone and other local stones -- Gold, gilding, silver and ivory -- Coloured stones -- Miniatures -- Wax -- Other -- Statuary Body Types of Roman Men: All About Status? -- The full-figure statuary body types of Roman men. All about status? -- The toga -- Nudity -- The cuirass -- Abbreviated Formats -- The herm shaft -- The clipeus, or tondo -- The half-figure bust -- The freestanding bust -- Selves and Others: Ways of Expressing Identity in the Roman Male Portrait -- Greek or Roman? The origin of Roman Republican portrait styles -- The 8216;period-face and its impact -- The limitations and the possibilities of the period-face: variation in portrait styles -- The portraits of actors from the Sanctuary of Diana Nemorensis: a case study in diversity -- Part Three: The Empress and her Fellow Elite Women -- Roman Women in Public -- Dressing up a Roman Woman: statuary body types -- Head and hair -- Part Four: The Emperor -- Representing the Roman Emperor -- The Emperor in Rome: setting the scene -- The Emperor in Rome: close encounter -- Where were the free-standing statues of the emperor set up in Rome? -- Who set up the statues of the emperor in Rome? -- Statues for eternity? -- Statuary formats and statuary body types -- Defining the emperors head -- Commissioning of prototypes -- Market, replication and dissemination -- The emperor en route -- Epilogue Power, Honour, and Memory -- Appendix Addendum: Statuary Formats and Statuary Habits in Literary Sources -- The different habits of Saturninus statues |
| Record Nr. | UNINA-9910829288103321 |
|
Fejfer Jane
|
||
| Berlin ; ; New York, : Walter de Gruyter, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||